This volume offers a collection of essays dealing with the material and immaterial (metaphorical) reuse of Greek art in Roman times from different perspectives and with regard to a wide range of contexts and aspects. The common thread of this volume is an exploration of the reuse of Greek artworks in Roman times from an object-oriented and cultural-historical perspective, taking into account the “history” or “biography” of the artworks as a whole. The metaphor of “restaging” intends to highlight an interest in the process of transformation of artworks and their contexts over time and space. Following these premises, this volume moves from a focus in Part I on the “lives” of the Fondazione Sorgente Group Athena Nike to the investigation of different forms of restaging Greek artworks in Roman times in Part II.

Restaging Greek Artworks in Roman Times

Alessandro Poggio
2018-01-01

Abstract

This volume offers a collection of essays dealing with the material and immaterial (metaphorical) reuse of Greek art in Roman times from different perspectives and with regard to a wide range of contexts and aspects. The common thread of this volume is an exploration of the reuse of Greek artworks in Roman times from an object-oriented and cultural-historical perspective, taking into account the “history” or “biography” of the artworks as a whole. The metaphor of “restaging” intends to highlight an interest in the process of transformation of artworks and their contexts over time and space. Following these premises, this volume moves from a focus in Part I on the “lives” of the Fondazione Sorgente Group Athena Nike to the investigation of different forms of restaging Greek artworks in Roman times in Part II.
2018
978-88-7916-832-8
Reuse, Greek art, Roman times, object-oriented perspective, cultural-historical perspective
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/20.500.11771/13357
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