One of the many possible ways to view the Venice Biennale – is through its spaces. Here we are referring not just to the architecture and the places occupied by works of art or used by the artists during the exhibition months but, above all, to the “areas” of attraction of the event, each different in their reciprocal relationships; in the ways the artistic projects are realized; of the way they relate to the city itself, and how they are the presented to the public. In particular, investigating those processes which have forced the Biennale to move away from its conformation of modernist “expo”, the occasions when it was forced to expand out of its traditional site at the Giardini di Castello, are important: its boundaries were blurred and tangibly merged with the city.

Beyond the Giardini of the Biennale: some considerations on a supposed model

Sara Catenacci
2010-01-01

Abstract

One of the many possible ways to view the Venice Biennale – is through its spaces. Here we are referring not just to the architecture and the places occupied by works of art or used by the artists during the exhibition months but, above all, to the “areas” of attraction of the event, each different in their reciprocal relationships; in the ways the artistic projects are realized; of the way they relate to the city itself, and how they are the presented to the public. In particular, investigating those processes which have forced the Biennale to move away from its conformation of modernist “expo”, the occasions when it was forced to expand out of its traditional site at the Giardini di Castello, are important: its boundaries were blurred and tangibly merged with the city.
2010
9788864630243
History of Art, Exhibition Studies, Curatorial Studies, Venice Biennale
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/20.500.11771/22206
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