The paper focuses on the in-depth analysis and historical contextualization of a chapter from Etienne-Jules Marey's "Le Mouvement" (1894). The part of the book under scrutiny is devoted to the potential function of chronophotography - a photographic method born and developed for scientifically representing motion - as an aid for figurative artists.
|Titolo:||Chronophotography As an Archive. The dialogue between the physiologist and the artist in Le Mouvement by Étienne-Jules Marey (1894)|
BERTELLI, LINDA (Corresponding)
|Data di pubblicazione:||2021|
|Appare nelle tipologie:||1.1 Articolo in rivista|