In this paper I consider the relationship between concept - assuming that it is embedded in artwork - and visual representation. To this end, I first examine some of Paladino's works considering it as: very classical, expressive, postmodernist and anti-conceptualist. Finally, I assume the exhibition in Torino not only as a tribute to Philosophy, but as an exhortation to reflect on the complicated relationship between art and reality.
Mimmo Paladino. Teatro del pensiero, teatro dell'oggetto
DAL SASSO, DAVIDE
2014-01-01
Abstract
In this paper I consider the relationship between concept - assuming that it is embedded in artwork - and visual representation. To this end, I first examine some of Paladino's works considering it as: very classical, expressive, postmodernist and anti-conceptualist. Finally, I assume the exhibition in Torino not only as a tribute to Philosophy, but as an exhortation to reflect on the complicated relationship between art and reality.File in questo prodotto:
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